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Flamenco in Andalusia

 

Our concept of esthetic is not limited to the voice, the dance or the instrument. Flamenco is a world with vast horizons, because it is also a choice of living, an attitude towards life, a form of existence that impregnates the Andalusi existence. Flamenco is a philosophy about the being, about life and death which integrates as well the world of Tauromaquia (art of bull-fighting). The art of bullfighting and the art of flamenco are inherently attached, as the history of their heroes is as well. The line between these two worlds is so thin it makes it very hard to determine where the end of one and the beginning of the other one is.

There is a mother history for Andalusia, and an old mysterious father: the “art”. The natural sons of this pagan matrimony are the bull and the flamenco voice. They both have their birth certificates lost in the beginning of times. However, the culture and the social group where they grew up are very clear. Their childhood was the pain of a marginalized sector of the Andalusia population whose life was considered more than a game.

It is impossible to explain the life of the andalusians without the bullfighting and the flamenco. These are not capricious expressions of leisure, but the result of a social, sounded, and esthetic debate in which the Andalusis impose their forms and ways.

Today cosmopolitan cities of Andalusia still contain the echoes of the rural life. The rhythms and beats are still the scenario for Flamenco, inseparable from the esthetic of its neighborhoods. The streets and the patios are still the family nucleus and the social meeting points where the people chat on the summer and celebrate weddings and baptisms.

Flamenco has always suffered from rather than taken advantage from fashions and commercialization. Currently, Flamenco lives with the danger of the necessary evolution, the boldness and the lack of respect of those whom consider Flamenco a menial art. The popular culture that Flamenco represents is still alive thanks to those who respect heritage and ancestors.


About the Danza Espaņola

The Danza Espaņola, Spanish Dancing, contains several dancing disciplines: Flamenco, Clasico Espaņol (Stylization), Folkrore, Escuela Bolera (18th century dances), Ballet, and Castanets.

Without a doubt, Flamenco is the most well known form of Danza Espaņola, known worldwide thanks     to the numerous different “bailaores” (dancers) and    musicians that practice it.

 The Clasico Espaņol is the most sophisticated form of choreography for the Spanish master musicians like Falla, Albeniz, Granados or Turina. This form of dance is practiced with shoes, castanets, and some times with classic sleepers. Its esthetic form remind us the one of flamenco and folklore.

Spain is one of the richest and most variegated countries in folkloric music and dance. Each region has its own typical dances, some of them several    centuries old. Examples of Folklore are the Jota (Aragon, Navarra, La Rioja, Extremadura), Chotis (Madrid), Sardana (Cataluņa), Muiņeira (Galicia) and Trikitrixa (Basque Country).

The Escuela Bolera studies the Spanish dances of the 18th century. Known as “Goyescas”, these short dances are performed with outfits fashioned to         the style of the times of the famous painter Goya.       It contains numerous features of classical dancing tainted with a sense of playfulness characteristic of that era.

Danza Clasica (Ballet) is necessary for the complete education of a dancer in any style. Ballet brings the technique and the discipline necessary to develop with style the complete control of the body in any other type of dancing like Flamenco, Jazz, Contemporary, etc., entity in the music and dances from Spain.

 

Adapted from http://www.carmendevicente.com/sp-dance.html